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The exceptional, exuberant, and eccentric showman that was Kishore Kumar

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The exceptional, exuberant, and eccentric showman that was Kishore Kumar

New Delhi, Aug 4 (IANS) The Hindi film industry, despite its designated roles, has always witnessed different aspirations – some actors wanted to become directors, some directors wanted to be singers, some singers wanted to be actors, lyricists wanted to be singers, and so on in many other combinations.

And then, there was Kishore Kumar, who did everything.

Known primarily as a singer for several generations of superstars, and then as an actor in some quirky comedies, he was a complete film package, also being a lyricist, screenwriter, music composer, producer, and director in his over four-decade-long career, which predated Independence.

Kishore Kumar, who was born on this day (August 4) in 1929, was also the Hindi film industry’s biggest prankster and eccentric. His array of exploits included biting a producer’s hand when he came to deliver his money, making another defaulter pay up by landing at his house each morning to chant “Ae Talwar, de de mere aath hazaar” (Rs 8,000), leaving his co-actors and singers in splits on sets with his antics, among others.

Nevertheless, his contribution to films is immense and difficult to summarise.

Take his singing career, where his mellifluous voice reverberated for stars from Dilip Kumar to Dev Anand to Dharmendra, Rajesh Khanna to Amitabh Bachchan to Shashi Kapoor, and Jeetendra to Vinod Khanna to Sanjay Dutt in a range of emotions, moods, and situations.

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“Gentleman gentleman” to “Khwab ho tum ya koi haqeeqat” to “Pal pal dil ke paas”, “Zindagi ke safar mein maqam” to “Khaike paan Banaraswala” to “Khilte hain gul yahan”, “Haal kya hain dilon ka” to “Qurbani qurbani” to “Kya yehi pyar hai” for these actors, respectively, are just a mere trace of his oeuvre.

That is not to forget “Ek ladki bheegi bhaagi si”, “Ham to mohabbat karega”, “Mere mehboob qayamat hogi”, and many others, for himself on his own onscreen forays.

He is estimated, as per one biographer, to have sung 2,905 songs between 1946, when he became part of the industry, to 1988, when he succumbed to a heart attack. An overwhelming majority of this, at 2,648, were for Hindi films, but also included 154 in Bengali, and a handful of songs in Gujarati, Bhojpuri, Marathi, Odia, Assamese, English, Punjabi, Kannada, and Malayalam.

However, neither the mention of some of his songs nor the number-crunching can reveal the effortless expertise he was capable of, yet made endeavours he made to get into the spirit of the song – demanding Laxmikant-Pyarelal provide a cycle with a bell so he could record “Daakiya daak laya” from “Palkon ki Chhaon Mein” (1977), and his penchant for improvisation.

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One prominent example of the latter is the madcap contest of “Ek chatur naar” from “Padosan” (1968), where Manna Dey, who was singing for Mehmood, revealed how Kishore Kumar, nonchalantly covering up for Sunil Dutt, stole a march over him midway with just a few, ad-libbed words.

As Master Pillai (Mehmood) sings “Naach na jaane, angan tedha, tedha tedha tedha..” as he cavorts around, Bhola (Sunil Dutt, voiced online by Kishore) responds mockingly, “Oh kede! Are sIdhe ho jaa re, sIdhe ho jaa re…”. This was enough, Dey recalled, to settle the “contest” in Kishore Kumar’s favour.

Then, there was his uncanny sense of gauging the mood of the composer. Brother Ashok Kumar, in an interview, recalled that once, Kalyanji-Anandji were miffed with Kishore Kumar as he did not show up for rehearsals but came straight away on recording day. But before they could even say something, Kishore Kumar told them he knew what the tune would be, picked up a harmonium, and proceeded to render it. As a flabbergasted Kalyanji asked him how he had come to know it, the singer just smiled.

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Yet, it was the same Kishore Kumar, who as a fan of K.L. Saigal – like almost all singers of his generation, agreed to do a record covering hits of the legendary singer, but junked it when he felt he was not doing justice to his idol.

In acting, Kishore Kumar was not very enthusiastic, despite 100-odd films in Hindi and Bengali, and is perhaps the only one to turn down Satyajit Ray, and that too twice – for “Parash Pathar” (1959) and “Goopy Gyne Bagha Byne” (1968). He did sing for Ray’s “Charulata” (1964) and “Ghare Baire” (1985).

And that is not to say that filmmakers did not accommodate him – one of his most famous roles, of Guru, in “Padosan” was specially created, as no such character was there in “Pasher Bari” (1952), the Bengali film it was based upon, and he was tipped for the main role in “Anand”, but escaped by shaving his head.

There is so much about him, but it is clear that he was one of a kind.

(Vikas Datta can be contacted at vikas.d@ians.in)

–IANS

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Defence Ministry: Year 2025 will be year of reforms

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rajnath singh with armed forces chief

On Wednesday, the Defence Ministry announced that 2025 will be designated as the “Year of Reforms,” with a primary focus on establishing integrated theatre commands to enhance collaboration among the three branches of the military.

These reforms are aimed at transforming the armed forces into a technologically advanced, combat-ready force capable of executing multi-domain integrated operations, the ministry stated.

The initiative will emphasize emerging domains such as cyber and space, alongside cutting-edge technologies like artificial intelligence, machine learning, hypersonics, and robotics.

Defence Minister Rajnath Singh described the “Year of Reforms” as a pivotal milestone in the modernization of the armed forces.

“It will set the stage for significant advancements in the nation’s defense capabilities, ensuring the security and sovereignty of India in the face of 21st-century challenges,” he said.

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A 3.2 magnitude tremor struck Gujarat’s Kutch district on Wednesday morning

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A 3.2 magnitude tremor struck Gujarat’s Kutch district on Wednesday morning, according to the Institute of Seismological Research (ISR).

The district administration reported no casualties or property damage following the quake.

The tremor occurred at 10:24 am, with its epicenter located 23 kilometers north-northeast (NNE) of Bhachau, as per the Gandhinagar-based ISR.

Last month, the region experienced four seismic events exceeding a magnitude of 3, including a 3.2 magnitude tremor just three days ago, with its epicenter also near Bhachau.

Earlier tremors in the area included a 3.7 magnitude earthquake on December 23 and a 3.2 magnitude event on December 7, according to ISR reports.

Kutch was also jolted by a 4.0 magnitude earthquake on November 18, 2024. On November 15, a 4.2 magnitude quake hit Patan in north Gujarat, based on ISR data.

Gujarat is considered a high-risk earthquake zone, having experienced nine major earthquakes over the past 200 years, according to the Gujarat State Disaster Management Authority (GSDMA). The 2001 earthquake in Kutch, which occurred on January 26, was the third-largest and second-most destructive in India in the last two centuries, according to the GSDMA.

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Diljit Dosanjh faces legal action over concert songs

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Singer and actor Diljit Dosanjh’s much-anticipated New Year’s Eve concert in Ludhiana faced legal hurdles after a complaint was filed by Punditrao Dharenavar, an assistant professor from Chandigarh.

Following the complaint, the Deputy Director of the Women and Child Department, Government of Punjab, issued a formal notice to Ludhiana’s District Commissioner, urging them to prohibit Dosanjh from performing specific songs during his live show on December 31, 2024.

The notice specifically targets songs accused of promoting alcohol, including Patiala Peg, 5 Tara Theke, and Case (Jeeb Vicho Feem Labbiya), even if the lyrics are slightly modified. The complaint points to previous warnings issued to Dosanjh by various commissions advising against performing these controversial tracks.

Despite these warnings, the singer allegedly continues to perform the songs with minor alterations. Dharenavar raised serious concerns about the influence of such music on young audiences, especially when minors are present at live events.

Adding to the controversy, Dharenavar referenced a 2019 Punjab and Haryana High Court ruling, which directed law enforcement to ensure that songs promoting alcohol, drugs, or violence are not played at public events, including concerts. This ruling underscores the legal basis for the complaint and has further intensified the scrutiny surrounding the event.

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UP Minister’s convoy overturns, 5 person injured

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UP Minister’s convoy overturns, 5 person injured

Five people sustained injuries when a vehicle in the convoy of Uttar Pradesh Minister and Nishad Party chief Sanjay Nishad overturned into a ditch near Januan village in the Khejuri Police Station area of Ballia district late last night.

Sanjay Nishad shared details of the incident, stating that the accident injured five party workers, including four women.

“I was traveling with the convoy to participate in the Constitutional Rights Yatra organized by the party on Tuesday night. Near Januan village in the Khejuri area, one of the vehicles following the convoy lost control while trying to avoid an animal and overturned into a ditch,” Nishad explained.

The injured individuals have been identified as Rakesh Nishad, Ramrati, Usha, Geeta, and Iravati Nishad.

Senior police and administrative officials quickly arrived at the scene following the incident to oversee the situation.

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Suchir Balaji’s mother alleges Murder

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Suchir Balaji’s mother alleges Murder

The mother of Suchir Balaji, a 26-year-old former OpenAI researcher found dead after accusing the company of copyright violations, has alleged that her son was “murdered” and called for a Federal Bureau of Investigation (FBI) probe.

Poornima Rao, Suchir’s mother, claimed her son’s death was a “cold-blooded murder” that authorities wrongly ruled as suicide. She further disclosed that a private autopsy report conflicted with the findings of the initial police investigation.

Rao alleged that her son’s apartment had been “ransacked” and cited evidence of a struggle in the bathroom, including bloodstains that suggested he had been assaulted.

“We hired a private investigator and conducted a second autopsy to uncover the truth. The private autopsy does not confirm the cause of death stated by the police. Suchir’s apartment was ransacked, there were signs of a struggle in the bathroom, and it appears he was hit based on blood spots. This is a cold-blooded murder being misclassified as a suicide. Lobbying in San Francisco won’t deter us from seeking justice. We demand an FBI investigation,” Rao wrote on X.

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Elon Musk reacted to Rao’s post, commenting, “This doesn’t seem like a suicide.”

Balaji was discovered dead in his San Francisco apartment months after accusing OpenAI of violating copyright laws during the development of ChatGPT, as reported by Fox News. Despite these claims, the San Francisco Police Department found no evidence of foul play and ruled the death a suicide.

On October 24, shortly before his death, Balaji voiced doubts about the “fair use” defense in generative artificial intelligence. “I recently participated in a NYT story about fair use and generative AI, and why I’m skeptical ‘fair use’ would be a plausible defense for a lot of generative AI products,” he wrote on X.

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