Entertainment
Kapadia is hot favourite of critics, but will 'Seed of the Sacred Fig' end her Cannes quest?
New Delhi, May 25 (IANS) Hours before the moment of reckoning arrives for Payal Kapadia’s ‘All We Imagine As Light’ at the 77th Cannes Film Festival, and punters have a field day trying to predict what the 38-year-old director from Mumbai will bring back home, she can at least bask in the sunshine of praise lavished on her by some of the most revered critics.
‘All We Imagine…’ will be up against the sympathy wave for the Iranian director Mohammad Rasoulof’s ‘Seed of the Sacred Fig’, which earned an eight-year jail term for its maker, who had to flee his home country to escape the secret police, which apparently has already incarcerated the movie’s two lead actors.
Be that as it may, Kapadia has a lot of pleasurable reading to do. Here’s a sample of what the international critics had to say after the screening of ‘All We Imagine…’ ended with an eight-minute standing ovation from the audience.
Peter Bradshaw of ‘The Guardian’ gave five stars to the film and started his review with these words: “There is a freshness and emotional clarity in Payal Kapadia’s Cannes competition selection, an enriching humanity and gentleness which coexist with fervent, languorous eroticism and finally something epiphanic in the … mysterious final moments.”
His judgment at the end of the review: “It is both dreamlike and like waking up from a dream. This is a glorious film.”
Fionnuala Halligan of the ‘ScreenDaily’ is equally generous with her praise. She opens with the comment: “All cities are crossroads, transitory beacons of artificial light which attract visitors and those who stay forever but who will always remain visitors.”
And then, Halligan pans to Kapadia’s metropolis. “Mumbai is its own special case; something that Payal Kapadia eloquently pleads in ‘All We Imagine As Light’,” she writes. “It’s a light for audiences to surrender to, a realist-infused story of three women broadly representing three generations in a city where their hold is fragile, where their breaths barely leave a mist of a trace.”
Foreign critics are clearly transfixed by the film’s portrait of Mumbai. Stephen Saito points to the relationship between Mumbai and Kapadia’s characters when he writes in ‘The Moveable Fest’, “… the unrequited love between those living in Mumbai and the city as it currently exists can stir up just as much passion when an urban centre can promise so much and can offer so little in return.”
He concludes by noting: “Where so many can be overlooked, Kapadia is able to see into every window, tenderly finding the soul in people and places losing touch with their humanity.”
And just in case you have been wondering what the title of the movie seeks to convey, the Variety critic, Jessica Kiang, has the answer: “The film’s title is only ever obliquely explained, in a story someone tells of a factory worker so exploited by his workplace’s gruelingly long shifts that at times he could barely remember what the daylight looked like.”
Will the three women at the centre of the film meet the same fate? Kiang hopes not and she concludes with these lines: “The light is all around them, and if they have to imagine it, it’s only because they cannot see it emanates from within.”
Jordan Mintzer of ‘The Hollywood Reporter’ contextualises the film for a global audience and writes about how the film is a world apart from standard Bollywood fare and yet has certain elements of it.
‘All We Imagine As Light’, Mintzer writes, “is about as far as you can get from the stylistics of Bollywood’s masala musicals, even if there is one short and memorable impromptu dance scene toward the end.”
But then, as he points out, “its story of women looking for love and happiness in a calamitous world brings to mind those popular Mumbai-set movies in which heroines suffer plenty of heartbreak before things eventually work out.”
Writing in the Joy Sauce, New York-based filmmaker and writer Siddhant Adlakha declares: “Payal Kapadia’s ‘All We Imagine As Light’ is a luminous portrait of Indian womanhood, and announces the arrival of a major dramatic voice.”
Comparing it with Kapadia’s 2021 docu-fiction, ‘A Night of Knowing Nothing’, which won the L’Oeil d’Or at Cannes in 2021, but was never released in India, Adlakha says her debut feature film “is gentler and more intimate than her incendiary documentary”, but it told through “similar dreamlike portraitures, and a similar eye for how India’s political fabric nestles its way into each aspect of daily life. The result is a film that moves the needle forward, for depictions of women in Indian cinema, by leaps and bounds.”
The ‘IndieWire’ critic, Sophie Monks Kaufman, gives the film ‘Grade: A’ and she writes: “The intimate way that women move through a city sprawl gives Payal Kapadia’s drama about two nurses in Mumbai a deeply romantic gauze. This romance has to do with the way that people occupy their space in this world, whether alone or sharing it with others.”
In a few hours, the world will get to know how much of the enthusiasm of the critics is shared by the jury, which is headed by the ‘Barbie’ hitmaker, Greta Gerwig.
–IANS
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Allu Arjun is poised to dominate the box office with his highly anticipated film, Pushpa 2: The Rule, set to release on December 6, 2024. The excitement surrounding this film is phenomenal, already making headlines with an impressive pre-release collection of RS 1,085 crores! This achievement is particularly notable, given that it reached this milestone well before the movie even debuts in theaters.
Fans are eagerly looking forward to Allu Arjun’s return as Pushparaj, the character that earned him a National Award for Best Actor in the first installment, Pushpa: The Rise. The buzz surrounding Pushpa 2 is unparalleled, and the film is expected to break even more records upon its release. The pre-release collection includes a record-setting deal for theatrical rights, sold for ₹640 crores, making it one of the most lucrative film deals in Indian cinema.
Additionally, Pushpa 2 has secured a significant digital distribution agreement with Netflix, which acquired the rights for ₹275 crores, highlighting the high demand for the film. The overall pre-release earnings have been impressive across various regions, with ₹220 crores collected in Andhra Pradesh and Telangana, ₹200 crores in the North, ₹50 crores in Tamil Nadu, ₹30 crores in Karnataka, ₹20 crores in Kerala, and ₹40 crores from overseas markets. The music rights were sold for ₹65 crores, while the satellite rights fetched ₹85 crores, contributing a total of ₹425 crores from non-theatrical rights.
Directed by Sukumar and produced by Mythri Movie Makers, Pushpa 2: The Rule features a talented cast, including Rashmika Mandanna and Fahadh Faasil alongside Allu Arjun. The film’s music will be released by T Series, further adding to the anticipation.
With Allu Arjun’s National Award win and the remarkable pre-release collections, it’s clear that Pushpa 2 is set to be a blockbuster. As the release date approaches, fans are excited to see how this film will perform at the box office. If the pre-release collections are any indication, Pushpa 2 is bound to shatter records and become a massive success!
Mumbai, Aug 22 (IANS) Actress Anu Aggarwal, who rose to fame with “Aashiqui”, and “King Uncle”, recalled the time when filmmakers would come to her with money for signing a film and would not have a script ready.
In a conversation with Lehren shared on Instagram, the actress could be seen talking about it.
“I was shocked to see that people who don’t have their scripts are not ready when they would come to sign me up for a film. They would have the money ready and I would say I don’t want to sign with the money. I would like to hear the script.”
“They would say the script will be made so you can sign,” she added.
“This was the way and because I am an actor I would like to see what my role, story is. Everything is important. Nobody would have a script… 98 per cent of people would not have the script,” she said.
Anu Aggarwal gained immense popularity in the 1990s after featuring in the musical romantic drama “Aashiqui” directed by Mahesh Bhatt.
She starred alongside Rahul Roy and Deepak Tijori.
The film was known for its music, by composer duo Nadeem–Shravan establishing their careers.
The soundtrack album has been rated fourth by Planet Bollywood on their “100 Greatest Bollywood Soundtracks”.
It was the best-selling Bollywood album at the time of its release.
The film was remade in Kannada as “Roja” in 2002.
A sequel to the film, “Aashiqui 2”, with a completely new theme, directed by Mohit Suri, with Aditya Roy Kapur and Shraddha Kapoor, was released in 2013.
–IANS
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Entertainment
Ram Charan's daughter Klin achieves this milestone on grandfather Chiranjeevi's birthday
Mumbai, Aug 22 (IANS) On the 69th birthday of actor and politician Chiranjeevi, his son Ram Charan has shared a peek into their family vacation to Paris, France, which is also the first trip of his daughter Klin Kaara with her grandparents.
Ram took to his Instagram account, where he has 23.9 million followers, and shared a family picture from Paris.
The snap shows his parents– father Chiranjeevi, mother Surekha, his wife Upasana Kamineni, and their furry friend–pet dog. We can see Chiranjeevi holding his granddaughter Klin adorably in his arms.
Ram looked dapper in a black shirt, matching trousers and an olive green jacket.
They are posing against the backdrop of Eiffel Tower.
The post is captioned as: “Klin Kaara’s first trip with her grandparents!!! Memorable”.
In another post, Ram dropped a photograph with his father, wearing matching South Indian ethnic outfits.
He wrote in caption: “Happpiest birthday, Appa!!”
Meanwhile, on the occasion of Chiranjeevi’s birthday, UV Creations and director Vashistaa Mallidi have unveiled the highly anticipated first look poster for ‘Vishwambhara’, a fantasy adventure film.
Sharing the poster on social media, the makers wrote: “When darkness and evil take over the world, a Magnanimous Star shall shine bright to fight, Happy birthday, MEGASTAR @KChiruTweets, Let the world witness your aura with #Vishwambhara, Get ready for a MEGA MASS BEYOND UNIVERSE, In cinemas from January 10th, 2025.”
The movie promises to be a cinematic spectacle, featuring Chiranjeevi in a lead role. The film also stars Trisha Krishnan, Ashika Ranganath and Kunal Kapoor.
The film will be released on January 10, 2025.
Chiranjeevi was last seen in Telugu action drama ‘Bhola Shankar’ directed by Meher Ramesh. It also featured Tamannaah Bhatia, Keerthy Suresh and Sushanth.
Meanwhile, Ram Charan last appeared in action drama ‘Acharya’, directed by Koratala Siva. The film starred Chiranjeevi, alongside Pooja Hegde, Sonu Sood and Jisshu Sengupta.
He next has ‘Game Changer’, and ‘RC16’ in the pipeline.
–IANS
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Entertainment
Rani Mukerji: Shivani Shivaji Roy shows how a woman can lead from front in a male-dominated field
Mumbai, Aug 22 (IANS) Actress Rani Mukerji has talked about why she loves her character Shivani Shivaji Roy from “Mardaani,” which has completed 10 years in Hindi cinema on Thursday.
She said: “Shivani Shivaji Roy is my most favourite on-screen character. She is a defiant, fierce force of nature who will stand up for what is right no matter what. She is someone who subverts gender norms in cinema and shows how a woman can also lead from the front in a male-dominated field.”
As the film celebrates its 10th anniversary, Rani is grateful for all the love and acclaim that she has received.
She said: “I’m truly proud of my ‘Mardaani’ franchise. It is a franchise that keeps on giving. The love, adulation, and the respect that I have received from Mardaani is truly humbling.”
On Thursday morning, the makers of the film teased fans about the next chapter of the franchise.
Production Yash Raj Films banner took to YouTube, where they dropped a teaser of sorts, which begins from the first installment, which first released in 2014.
The production company captioned it: “10 years of #Mardaani and the next chapter awaits… Celebrating the feisty, daredevil cop #ShivaniShivajiRoy and the spirit of #Mardaani today. Thank you for a decade of love and appreciation for our beloved franchise. We are inspired… again… thanks to you. #RaniMukerji #10YearsOfMardaani.”
Rani is too excited to reprise the role and don the cop uniform once again.
She said: “I’m looking forward to bringing back Shivani Shivaji Roy on the big screen soon. It’s been a while since I have donned the cop uniform and paid tribute to the women police force of our country.”
“Each (woman cop) one of them relentlessly works hard to keep our families safe and I have always loved to salute these fearless women. Shivani will be back and I hope you will give as much love to her as you have always showered for 10 years now!” added the actress.
–IANS
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Mumbai, Aug 22 (IANS) Bollywood actress and fashionista Sonam Kapoor brought out her A-game in fashion, where she flaunted “minimal, bold and effortlessly on point” look.
The actress took to Instagram, where she shared a string of pictures. In the pictures, she is seen wearing a powder pink shirt, paired with a blazer and long skirt. She completed her look with sunglasses.
“Celebrating @perniaq season 2 podcast drop with that sleek @phoebephilo energy—minimal, bold, and effortlessly on point. Shoutout to the squad for keeping the vibe,” she wrote and also mentioned that she is styled by her sister Rhea Kapoor.
Recently, Sonam shared several glimpses from her son Vayu’s vintage car themed cake as he turned two on August 20.
Sonam took to Instagram, where she shared a reel of the two-tier toddler friendly, refined sugar free chocolate cake. It featured a vintage ice blue car atop of the cake with the number 2 written on it.
The actress had also penned a heart-felt note for her son Vayu.
“My baby turns two today!!! Happy 2nd Birthday to our sweet, precious Vayu! W Being your mom is the greatest gift I could ever receive. You’ve filled our lives with so much joy, laughter, and wonder,” Sonam said.
The actress shared that with her son, everyday is an adventure filled with “your boundless curiosity, your infectious laughter, and your sweet, loving nature.”
“You’ve brought so much light and happiness into our world, making every moment more beautiful and every relationship stronger. You’ve deepened the love between your dadaa and me in ways we never imagined, and you’ve brought pure, unfiltered joy to everyone who loves you-your nani and nana, dadi and baba, kaaa masa, Masi and chachu,” she said.
“Your sweet spirit and playful energy make our family complete, and we are so blessed to have you in our lives.”
She tagged Vayu as her sunshine, music, little genius, and their endless “source of happiness”.
“We love you more than words can say, and we can’t wait to see all the amazing things you will continue to bring into our lives,” Sonam said.
–IANS
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