National
An outspoken outsider in Bollywood, Kangana is BJP's most vocal champion within it
New Delhi, March 25 (IANS) Kangana Ranaut was only 17 when she joined the cast, as a last-minute replacement for Chitrangada Singh, of Anurag Basu’s ‘Gangster: A Love Story’ (2006). She had run into Basu at acclaimed filmmaker Mahesh Bhatt’s office, where she’d landed in search of a break.
Kangana played an alcoholic trapped in a love triangle involving a notorious gangster (Shiney Ahuja, whose career later went out of the window after he was convicted on a rape charge) and a sympathetic friend (Emraan Hashmi).
The role got Kangana instant fame. Hailed as a “remarkable find”, and honoured with the Filmfare Award for Best Female Debut, she instantly began her dalliance with headlines.
For a rebel child who shocked her family — her mother was a school teacher and her father a businessman with roots in Bhambla village, Mandi district, Himachal Pradesh — by not taking the All-India Pre-Medical Test, it was indeed a dream start in Bollywood, whose fierce critic and conscience keeper she later became.
For the great-granddaughter of a Himachal Pradesh Congress MLA, and granddaughter of an IAS officer, it was also a bold career move that did not initially go down well with the family.
After opting out of higher education, Kangana moved to Delhi from Chandigarh, where she went to school, to join the Elite Modelling Agency and pick up a couple of assignments, before deciding to become an actor.
Her first step in that direction was to join Delhi’s celebrated theatre group Asmita, shepherded by Arvind Gaur, who became Kangana’s guru. She ended up acting in Girish Karnad’s play, ‘Taledanda’, and it was this exposure that convinced her to move on to Mumbai, where she joined Asha Chandra’s acting school.
After ‘Gangster’, Kangana went on to act in several acclaimed films, beginning with ‘Woh Lamhe…’, where she navigated the demanding role of playing a schizophrenic actress, a character inspired by Parveen Babi, and including ‘Life in a … Metro’, the critically hailed ‘Fashion’ and supernatural horror film ‘Raaz: The Mystery Continues’ — all these films had typecast her as a heroine cut out to play only hysterical characters, so she broke out of the mould by picking up Anand L. Rai’s 2011 romantic comedy ‘Tanu Weds Manu’, where she was cast opposite R. Madhavan.
Thereafter, Kangana’s career graph was like that of any other successful star, with its share of hits and misses, but the two productions that have stood out in her filmography are ‘Krrish 3’, the Rakesh Roshan-helmed blockbuster hit, where she played a shape-shifting mutant, despite her previous disappointment with the filmmaker in the Hrithik Roshan-starrer ‘Kites’ (she felt her role had been cut short), and the dramedy ‘Queen’, which prompted a critic to write that Kangana’s Rani was the “role of her lifetime”.
Her Bollywood journey, however, was not without its pitfalls. Initially, her poor command over English became the subject of the object of derision in the industry, especially among its elite. Then, she had a controversial affair with Aditya Pancholi that turned out to be an abusive relationship and left her emotionally scarred.
And then, even as he was recovering from a failed relationship with her ‘Raaz: The Mystery Continues’ co-star Adhyayan Suman, her ‘Kites’ and ‘Krrish’ 3 co-star Hrithik Roshan filed a lawsuit against Kangana, accusing her of cyberstalking and harassment. The case was closed because of lack of evidence.
After ‘Queen’, Kangana’s career also yo-yoed from box-office failures such as ‘Rangoon’ and Hansal Mehta’s Gujarati crime comedy, ‘Simran’, to her moderately successful Rani of Jhansi biopic, ‘Manikarnika’, which marred by the walkout of co-star Sonu Sood during production, and the sports drama, ‘Panga’, which was about a female kabaddi star. Both films won her critical acclaim and national awards, and established herself as a champion of female-first films. But thereafter, her films just stopped doing well at the box office.
Kangana, however, stayed in the headlines. In 2017, for her public falling out with influential filmmaker, Karan Johar, whom she accused of nepotism. Then in 2020, when she accused certain unnamed film personalities of having “systematically sabotaged” Sushant Singh Rajput’s career, driving him to commit suicide.
Both episodes cemented her image as an honest, outspoken outsider fighting the Bollywood establishment. It also made her the favourite of people ideologically aligned with the BJP, for they saw in the issues she raised echoes of their own campaigns against dynasts, nepotism and corruption.
Slowly but steadily, Kangana, a follower of Swami Vivekananda, emerged as the most visible, and articulate, spokesperson for the BJP within the film industry. And UP Chief Minister Yogi Adityanath was the first BJP leader to recognise Kangana’s potential and appointed her the brand ambassador of ODOP (One District One Product), one of his flagship development programmes.
Kangana’s outspoken opposition to privilege dictating people’s place in their professions and the snobbery of the English-speaking class, her impressive social media following, and her consistent support for Prime Minister Narendra Modi, make her most suited for a bigger presence in the BJP.
The party seems to have recognised this fact by rewarding her with the Mandi ticket.
–IANS
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National
Defence Ministry: Year 2025 will be year of reforms
On Wednesday, the Defence Ministry announced that 2025 will be designated as the “Year of Reforms,” with a primary focus on establishing integrated theatre commands to enhance collaboration among the three branches of the military.
These reforms are aimed at transforming the armed forces into a technologically advanced, combat-ready force capable of executing multi-domain integrated operations, the ministry stated.
The initiative will emphasize emerging domains such as cyber and space, alongside cutting-edge technologies like artificial intelligence, machine learning, hypersonics, and robotics.
Defence Minister Rajnath Singh described the “Year of Reforms” as a pivotal milestone in the modernization of the armed forces.
“It will set the stage for significant advancements in the nation’s defense capabilities, ensuring the security and sovereignty of India in the face of 21st-century challenges,” he said.
National
A 3.2 magnitude tremor struck Gujarat’s Kutch district on Wednesday morning
A 3.2 magnitude tremor struck Gujarat’s Kutch district on Wednesday morning, according to the Institute of Seismological Research (ISR).
The district administration reported no casualties or property damage following the quake.
The tremor occurred at 10:24 am, with its epicenter located 23 kilometers north-northeast (NNE) of Bhachau, as per the Gandhinagar-based ISR.
Last month, the region experienced four seismic events exceeding a magnitude of 3, including a 3.2 magnitude tremor just three days ago, with its epicenter also near Bhachau.
Earlier tremors in the area included a 3.7 magnitude earthquake on December 23 and a 3.2 magnitude event on December 7, according to ISR reports.
Kutch was also jolted by a 4.0 magnitude earthquake on November 18, 2024. On November 15, a 4.2 magnitude quake hit Patan in north Gujarat, based on ISR data.
Gujarat is considered a high-risk earthquake zone, having experienced nine major earthquakes over the past 200 years, according to the Gujarat State Disaster Management Authority (GSDMA). The 2001 earthquake in Kutch, which occurred on January 26, was the third-largest and second-most destructive in India in the last two centuries, according to the GSDMA.
National
Diljit Dosanjh faces legal action over concert songs
Singer and actor Diljit Dosanjh’s much-anticipated New Year’s Eve concert in Ludhiana faced legal hurdles after a complaint was filed by Punditrao Dharenavar, an assistant professor from Chandigarh.
Following the complaint, the Deputy Director of the Women and Child Department, Government of Punjab, issued a formal notice to Ludhiana’s District Commissioner, urging them to prohibit Dosanjh from performing specific songs during his live show on December 31, 2024.
The notice specifically targets songs accused of promoting alcohol, including Patiala Peg, 5 Tara Theke, and Case (Jeeb Vicho Feem Labbiya), even if the lyrics are slightly modified. The complaint points to previous warnings issued to Dosanjh by various commissions advising against performing these controversial tracks.
Despite these warnings, the singer allegedly continues to perform the songs with minor alterations. Dharenavar raised serious concerns about the influence of such music on young audiences, especially when minors are present at live events.
Adding to the controversy, Dharenavar referenced a 2019 Punjab and Haryana High Court ruling, which directed law enforcement to ensure that songs promoting alcohol, drugs, or violence are not played at public events, including concerts. This ruling underscores the legal basis for the complaint and has further intensified the scrutiny surrounding the event.
National
UP Minister’s convoy overturns, 5 person injured
Five people sustained injuries when a vehicle in the convoy of Uttar Pradesh Minister and Nishad Party chief Sanjay Nishad overturned into a ditch near Januan village in the Khejuri Police Station area of Ballia district late last night.
Sanjay Nishad shared details of the incident, stating that the accident injured five party workers, including four women.
“I was traveling with the convoy to participate in the Constitutional Rights Yatra organized by the party on Tuesday night. Near Januan village in the Khejuri area, one of the vehicles following the convoy lost control while trying to avoid an animal and overturned into a ditch,” Nishad explained.
The injured individuals have been identified as Rakesh Nishad, Ramrati, Usha, Geeta, and Iravati Nishad.
Senior police and administrative officials quickly arrived at the scene following the incident to oversee the situation.
National
Suchir Balaji’s mother alleges Murder
The mother of Suchir Balaji, a 26-year-old former OpenAI researcher found dead after accusing the company of copyright violations, has alleged that her son was “murdered” and called for a Federal Bureau of Investigation (FBI) probe.
Poornima Rao, Suchir’s mother, claimed her son’s death was a “cold-blooded murder” that authorities wrongly ruled as suicide. She further disclosed that a private autopsy report conflicted with the findings of the initial police investigation.
Rao alleged that her son’s apartment had been “ransacked” and cited evidence of a struggle in the bathroom, including bloodstains that suggested he had been assaulted.
“We hired a private investigator and conducted a second autopsy to uncover the truth. The private autopsy does not confirm the cause of death stated by the police. Suchir’s apartment was ransacked, there were signs of a struggle in the bathroom, and it appears he was hit based on blood spots. This is a cold-blooded murder being misclassified as a suicide. Lobbying in San Francisco won’t deter us from seeking justice. We demand an FBI investigation,” Rao wrote on X.
Elon Musk reacted to Rao’s post, commenting, “This doesn’t seem like a suicide.”
Balaji was discovered dead in his San Francisco apartment months after accusing OpenAI of violating copyright laws during the development of ChatGPT, as reported by Fox News. Despite these claims, the San Francisco Police Department found no evidence of foul play and ruled the death a suicide.
On October 24, shortly before his death, Balaji voiced doubts about the “fair use” defense in generative artificial intelligence. “I recently participated in a NYT story about fair use and generative AI, and why I’m skeptical ‘fair use’ would be a plausible defense for a lot of generative AI products,” he wrote on X.
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